In this video, Clio Hui shared her experience in her comics journey, how she submitted her works to TCZ Studio and what was required of her.

Ho See Kum (He Shuxin) is an art educator with 20 years of teaching experiences. He founded ComixGuru, a cartooning…

In this video, Hui Xuan shall share more about her plan for the Dream Walker’s manga series and her job as a full-time professional comic artist at TCZ.

In this video interview, Sean Lam shared how he began as a graphic novelist and the reasons he left Singapore for Japan.

In this video, Wee Tian Beng talks about the local comic scene and why many comic artists can’t make a living doing comics alone.

In this video, Clio Hui shared what got her started doing comics and where she gets her inspirations from.

Time flies and Comic Embassy is now at its second month, featuring veteran artists Foo Swee Chin and Alan Bay. There’s an interesting line-up of programmes including a character design workshop by Foo Swee Chin and a comics panelling workshop by Alan Bay..

Clio Hui is a self taught local artist. Her journey as a comic artist began when she submitted two short stories to PuraComixmag…

A kitten boards the ship of Parameswara, a prince on the run from Majapahit forces after his failed uprising. Leaving behind the beautiful lands of Nusantara, they end up on the shores of Temasek…

In this video, Sean Lam shall share what you need to do if you have decided to be a comic artist.

In this final video, Hui Xuan shared her observation of new artists who approached her for advice and gave her opinion on that.

In this video, Wee Tian Beng shared how he supported his artists and profited from selling books online and through events.

In this video, Hui Xuan shared how she earned a living as a full-time artist and her plan for Dream Walker.

In this video, Stanley Lau (Artgerm) shared his views about the comic market and how he has succeeded by doing something he loves.

In this video, Wee Tian Beng shared how the failure in his first few comics had brought him more opportunities than he expected. He advised artists to reflect on their approaches to their publication rather than pushing the blame on the market.